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TIME: Almanac 1995
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TIME Almanac 1995.iso
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1994-05-26
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<text id=94TT0228>
<title>
Feb. 21, 1994: Public Eye
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Feb. 21, 1994 The Star-Crossed Olympics
</history>
<article>
<source>Time Magazine</source>
<hdr>
PUBLIC EYE, Page 58
Now For The Skate-Off
</hdr>
<body>
<p>By Margaret Carlson
</p>
<p> "Maybe I'll give her a hug. If she'll let me."
</p>
<p> That's Tonya Harding speaking on Inside Edition, and praise
be the gods of Olympus, Harding will get at least within hugging
range of her rival and alleged victim, Nancy Kerrigan. This
is not because Harding shouldn't be punished. If she participated
in the plot to injure Kerrigan, neither underdog sympathy nor
childhood deprivation, an excessive supply of stepfathers, failure
to snag endorsement contracts or other bad breaks in life should
keep her from being tried and serving time.
</p>
<p> But why should the rest of us, who have focused feverish attention
on this story even when it required a passing knowledge of the
bylaws of the U.S. Olympic Committee, have to suffer? A country
lives by its myths, and seldom has there been such an opportunity
for an epic to be played out in an international arena as this
skate-off between Harding and Kerrigan at the Winter Games.
Lately, the public has been denied closure in other morality
tales: neither Bobbitt will serve time; California may never
be able to cobble together a jury sufficiently unaffected by
victim empathy to convict the Menendez brothers; Buffalo is
unlikely to ever get another chance to beat Dallas.
</p>
<p> All who believe in justice should cheer Harding's eleventh-hour
lawsuit, which has taken her fate out of the hasty hands of
the star-chamber U.S.O.C. and put it into the slow-as-molasses
legal system with all its constitutional safeguards. This is
a rare moment when the interests of the low-road entertainment
mongers and the sticklers for due process coincide. Otherwise,
the ending would have to play out in parallel universes--Kerrigan
at Lillehammer, on Saturday Night Live and in Reebok ads; Harding
on Inside Edition, the carpet of the .S.O.C. and in No Excuses
jeans ads. Worse yet, the finale could be relegated to a made-for-cable
movie.
</p>
<p> We're already watching the movie. Unlike most dramas that can
only recreate the crime, the attack in question--and most
subsequent plot points--are already on film. The videocam
verite of the clubbing provides the same gritty realism that
the Zapruder footage brought to Oliver Stone's JFK. The blow-by-blow
of the investigation, the arrests, the confessions, the plea
bargains--it's all in the can. There was even a play within
a play when stakeout cameras captured Tonya saving her illegally
parked pickup from a tow truck. The most hardened Tonya detractor
must have momentarily rooted for her.
</p>
<p> Letting Tonya skate will send a loud and clear message that
crime doesn't pay. If Harding loses, her victim is transported
to the ether of celebrity as a plucky survivor of a vicious
assault who goes on to bring back the gold for her country.
In fact, human nature favors Kerrigan: Olympic judges, like
Supreme Court Justices, read the election returns, and Kerrigan,
the goddess of good, already enjoys a significant edge over
Harding, the consort of thugs. On the other hand, if Kerrigan
falls and Harding triple-Axels her way to victory, then what
crueler punishment could be devised than for Harding to lose
her medal if she is eventually found guilty?
</p>
<p> The millions of people who have followed this drama want a cleaner
finish than would have been produced by a protracted courtroom
battle with no time on the rink. They want an international
duel in which good sportsmanship, staying within type and fair
play are triumphant; where intact families, modest costumes,
chemical-free hair and good teeth are rewarded. This time, thank
God for the lawyers. And let the skating begin.
</p>
</body>
</article>
</text>